Body-Time-Space Relationship in the Cinema-Architecture Intersection

The body, as the subject of the narrative corresponding to the story in cinema and the space in architecture, shows itself as a common component with the movement-body experience in both disciplines. It can be said that the disciplines of cinema and architecture, which can be related to each other in the context of spatial intervals produced by the movement-body experience, have similarities in the cross-section examined through the body as the subject. The spatial narrative represented by body movement requires a cinematographic space construction that enables the revealing of what is intended to be conveyed and the possibilities it contains by constructing the temporal context. In this study, the transformations that the body's act of seeing has undergone have been tried to be conveyed through the development of forms and tools of seeing from Camera Obscura to Cinematograph. In the cinema-architecture intersection regarding the spatiality of the movement-body experience, the cinematographic traces in the representation forms of the concept of movement have been revealed. Cinematographic space construction is defined within the scope of the study by including cinematographic time-space approaches that are addressed through the commonality in the representation of the body as the subject of the narrative, its movement and the concepts of time and space as the context in which this movement takes place or is produced. It is thought that this space construction, addressed in the relationality established between disciplines, produces a way of reading in order to make the space of experience visible and increase its possibilities.