As a reflection of the designer mind; "Artificial Intelligence"

Humanity could be described as a species that has been developing and using “technology and technique” in his war against nature since primitive times. All kinds of instruments and techniques used to eliminate the deficiencies and accomplish are considered as the "determining factor" in the current era. Especially today, within the 21st century production conditions, there are relationships established with software and artificial intelligence in almost every subject from daily life to space science, and some radical changes that have emerged as a result of these relationships. Despite being quite familiar with the conditions where the human workforce in the production stage is accompanied by machines, and software afterward, today we consider the relationship between artificial intelligence, human and production within a different aspect. In this study, while trying to establish the contexts between the old methods and new technologies in the new and increasingly digitalized world setting, we questioned the "future / reality that has not yet arrived" in the relevant situations along with some relevant possibilities. The purpose of this study is to examine the current position of artificial intelligence (AI) and its relationship with art and design. It was also aimed to question the existence of artificial intelligence (AI) within abstract concepts as well as its relationship with design beyond its mechanical aspect. While conducting the study, three different research methods were used concurrently in addition to interpreting the analysis of our research and observations within a multi-dimensional approach using the cross-over method. Additionally, the phenomenological method was used for our main interpretations. The starting point of this study is to be able to define what the outputs of artificial intelligence (AI) are and to analyze the place of these outputs in its relationship with art and design.