Formal Alienation in the Works of René Magritte an Analytical Study

René Magritte’s art presents a unique case for examining the multifaceted concept of alienation through a visual and philosophical lens. Magritte, known for his surrealist approach, integrates aesthetic sensitivity with a deep conceptual engagement that reflects various dimensions of alienation—personal, psychological, and artistic. This research investigates the formal manifestations of alienation in his selected works from 1953 to 1964, a period marked by mature stylistic developments. The study emphasizes the significance of Magritte’s artistic experience as a conscious and creative response to existential disconnection. It seeks to analyze his work through a structured methodological framework that combines conceptual inquiry with descriptive-analytical interpretation. The research is divided into four chapters, covering the theoretical background, the role of alienation in surrealist art, formal analysis of Magritte’s works, and a discussion of the findings. In doing so, it contributes to a deeper understanding of how alienation functions as both a theme and a method within his artistic production. As with other disciplines that merge theoretical reflection with creative practice, the study underscores the importance of engaging with the artwork through both critical thought and contextual analysis.