Compositional Transformations of Dramaturgy from Text to the Show

ABSTRACT Theater, in its structural and aesthetic composition, is a comprehensive art, and it is known at the level of discourse that combines two characteristics, the first (verbal property), which refers us to operative linguistics. The second characteristic (non-verbal), which refers us to the visual formations, and therefore in the theatrical performance, all procedural verbal signs are present according to the classification of the two tongues, and the signs according to the interpretation of the semioticians. (Dramaturge) and (the text of the show for the dramaturge director) and the last carries more than one text (the text of the actor - the text of the director - the text of the designer - the text of the receiver The text and the show are two completely independent elements, but the traditional aesthetic with a Platonic tendency is linked to the authority of the text and the dominance of speech, which is the character that characterized the director Western until the emergence of contemporary theatrical currents during the twentieth century, the directorial process (dramaturgy) and how it deals with (synthetic elements) must be based on an artistic vision that organizes these elements by material, accessory, kinetic, technical and optical means to convey meaning to the recipient, and meaning produces a summary of a synthetic structure whose foundations are (the idea ) which is co-founded by both the author and the director.